SYNCHRON BRASS

Synchron Brass - Magnificent Power

• Versatile orchestral brass at every scale

• 8 Solo Instruments and 9 ensembles

• Fantastic sampling depth for a new level of dynamic expressivity and musicality

• New feature “Timbre Adjust” for even more expressive possibilities

• 9 Microphone positions with pre-configured mixer presets, signature and FX Presets

• Expression Maps for Sibelius, Dorico and Cubase

Crossgrade Discounts

Crossgrade discounts towards the Standard Library and towards the Full Library of Synchron Brass are available from these Big Bang Orchestra Packs:

• Big Bang Orchestra: Hercules - Low Brass
• Big Bang Orchestra: Izar - Low Brass Clusters
• Big Bang Orchestra: Jupiter - Horns
• Big Bang Orchestra: Kopernikus – Trumpets
• Big Bang Orchestra: Zodiac – Supermassive Ensembles

Please log in your bestservice.de customer account, add the desired product to the shopping cart and click on Request VSL User Discount to see your personal crossgrade prices.

“Breathtaking.” “Nothing short of stunning.” “The best I’ve ever heard.” It’s reactions like these we proudly receive after clients from Hollywood and all over the world experience the acclaimed brass sections in scoring sessions at Synchron Stage Vienna. It’s that extra magic that happens when superb musicians are given the opportunity to interact with the acoustics of an outstanding room that emphasizes the bold characteristics of brass instruments, inspiring them to deliver stellar performances.

Instruments:

• Trumpet 1 (Marc Osterer)
• Trumpet 2 (Peter First)
• Trumpet Ensemble (4) *
• Trumpet Ensemble (6)
• Horn 1 (Péter Keserű)
• Horn 2 (Viliam Vojčík)
• Horn ensemble (6) *
• Horn ensemble (12) *
• Tenor trombone (Matthias Reindl)
• Bass trombone (Bernhard Vierbach)
• Cimbasso (Stefan Hirt)
• Bass tuba (Lukas Hanspeter)
• Tenor Trombone Ensemble (4)
• Trombone Ensemble (9) *
• Low Brass Ensemble (4 bass trombones, bass tuba) *
• Low Brass Ensemble, unison and cluster (4 bass trombones, bass tuba, double bass tuba) *
• Giant Tutti Brass (28 instruments: 6 trumpets, 12 horns, 9 tenor and bass trombones, 1 tuba)

* from the Big Bang Orchestra series

Creating Synchron Brass has been an exhilarating experience for our production team as well as for the musicians. Sampling sessions are mentally and physically challenging, but after 20 years of sampling and several years of recording film scores in Vienna, taking part in VSL’s sampling sessions is considered a badge of honor among many musicians, and we’re thrilled we were able to enlist the talents of these top-notch players.

Lest we forget, it’s the musicians behind our libraries that make the sounds live and breathe. Every one of them possesses vast experience and mastery of their instruments, but each has a different story. As examples, here are two who have lent their talents to numerous film score recordings at Synchron Stage Vienna, and also played solo instruments on Synchron Brass.

It is also the musicians who breathe life into the libraries with emotionality and artistic expression. Each and every one of them brings lifelong experience and perfect mastery of the instruments with them, against the background of a wide variety of biographies. As a representative, two musicians are presented here who have both played in numerous film music recordings in the Synchon Stage Vienna and shine as solo instrumentalists at Synchron Brass.

Solo Trumpet 1 was played by Marc Osterer who was born and raised in New York City. He attended Manhattan School of Music, played on Broadway shows, at Birdland, Jazz at the Lincoln Center, toured festivals from Coachella to Salzburg, and was the principal trumpet of the Mexico City Philharmonic for five years before moving to Austria to play on worldwide tours with electro-swing act Parov Stelar and joining the Synchron Stage Orchestra.

Solo double horn player Péter Keserű hails from Kiskunfélegyháza, Hungary. After playing principal horns in symphony orchestras such as the Budapest Concert Orchestra, the Hungarian Symphony Orchestra Budapest and the Bruckner Orchestra of Linz, Austria he has been principal horn with the ORF Vienna Radio Symphony Orchestra since 2008, and in recent years with the Synchron Stage Orchestra.

Developing a new generation of sampled brass ensembles and solo instruments involves much more than placing first-call musicians in a magnificent hall. The experiences and expectations of scoring stage clients as well as two decades of sampling know-how informed the way the performances were recorded, both in terms of creating the score as well as engineering and mic placement. With our mission in mind to develop virtual instruments that let you create coherent and compelling performances with ease, the editing team painstakingly balanced and matched all dynamic levels of the entire sample database for seamless transitions from one articulation to another, perfectly matching release samples, and smooth velocity crossfades.

Timbre Adjust

As an alternative and addition to velocity crossfade, the Synchron Player offers a brand-new feature: Timbre Adjust, assigned to CC8 by default. Especially brass solo instruments are capable of creating subtle volume and timbre variations, and this new intelligent filter lets you apply dynamic changes while staying in one velocity layer. It can also be used to create variants of articulations that have only one velocity layer (such as sforzatissimo) or to prevent velocity crossfade artifacts that may occur with brass solo instruments.

Synchron Brass offers a wide variety of articulations and phrases, and features like Timbre Adjust, integrated time-stretching, and the Synchron Player’s release sample technology increase its flexibility and expressive possibilities immensely, allowing you to easily manipulate samples in real-time to create lively, emotional and captivating performances.

Multiple Microphone Positions

To capture the spectacular ambience of “Stage A” of Synchron Stage, our engineers employed up to nine separate phase-coherent microphone configurations to provide a broad range of room options. In addition to the close, mid, Decca tree and surround microphones, the solo horns were also recorded with a condenser mic placed behind the musician as well as a ribbon room mic, all of them available as separate channels in the mixer section of the Vienna Synchron Player.

Pre-configured mixer presets provide a wide variety of tonal characteristics, from close to ambient, from lush to sparkling, from natural to heavily processed. As with all Synchron Libraries, you can mix your brass sound in stereo, 5.1 surround or even 9.1 Auro 3D, or any other immersive audio format, such as Dolby Atmos.

Microphone setup - Standard & Full Library

Both Standard Library and Full Library from Synchron Brass contain the same playing styles and only differ in the number of microphone positions available:

1. Close Mic (mono) - Standard & Full Library

2. Solo Horn Back Mic (mono) - Full Library Only

3. Mid Mic - Stereo (L / R) - Standard & Full Library

4. Main / Room Mic - Decca Tree Stereo (L / R) - Standard & Full Library

5. Main / Room Mic - Decca Tree Mono (Center) - Standard & Full Library

6. Main Surround - Stereo (L / R) - Full Library Only

7. High Stereo (3D) - Stereo (L / R) - Full Library Only

8. High Surround (3D) - Stereo (L / R) - Full Library Only

9. Solo Horn Room Mic Ribbon - Stereo (L / R) - Full Library Only

The main surround microphone arrangement can also be used instead of the main / room mics for a particularly wide, spatial image. Mixing the surround signals with the other microphone signals creates a denser, richer overall sound in stereo applications as well.

"Room Mixes" are CPU and RAM-saving stereo mixes by combining the signals of the Decca tree and the surround microphones, with which you can start immediately "out of the box". A large number of other mixer presets are available in the categories “Decca Tree Multi-Mic”, “Surround to Stereo Downmix” and “Surround”.

The Standard Library and the upgrade to the Full Library are separate downloads.

3D sound

Auro 3D is an audio technology for the three-dimensional mapping of signals. The technology developed by the Belgian company Auro Technologies is based on a special loudspeaker configuration that adds four additional loudspeakers (so-called "heights") to the 5.1 surround arrangement, which are located above the front and surround loudspeakers, adds. The height channels reproduce the natural reflections of the hall, which are captured by height microphones and which arise above the listener. The recorded sound sources can be localized better and spatially during playback. Thanks to the wide range of discrete recording channels, Synchron Brass (Full Library) can be used to create mixes in both Auro 3D and Dolby Atmos.

Recorded at Synchron Stage Vienna

Since opening in 2015, composers and film studios around the world have been fascinated by the extraordinary possibilities that our historic studio complex offers. Hans Zimmer Remote Control Productions has implemented a number of productions, such as the blockbuster "Inferno" or the Netflix series "The Crown", which was awarded a Golden Globe. Harry Gregson-Williams conducted his score for “The Meg” on Stage A, while Lorne Balfe had it recorded in Vienna for “Ad Astra” and the BBC series “Blue Planet II”. Large orchestral productions for Chinese, Japanese and South Korean blockbusters are also being implemented on an ongoing basis. The Vienna Symphony Orchestra, Philharmonix or the Vienna Radio Symphony Orchestra are just a few of the last European projects.